Royal Party

Yeah! I am so glad to have this painting finished, not that I haven't loved every minute of it, mind you, I am just a wee bit nervous about having enough paintings ready for the December show. I wish I could post the entire group as I will hang it, which is with about an inch of space in between each canvas. I may have to break down and buy Photoshop if I am going to continue these split paintings, unless someone out there has an idea of how to fix this on going problem of mine. Anyone????

Thanks to everyone who has encouraged me along the way with this piece too!

Flight of the Bumble Bee

Well I'm all done! Yeah! I started this blog for experimenting and doing this demo certainly has been a new experience for me. I so appreciate every one's comments and encouragement which made this demo super fun for me. I set about this painting with a couple of objectives in mind. One was to challenge the 'norm' of thin background. My background here, (or dandy lion field) is very thick and broken, the sheer fabric is painted thin and with less brushwork except in the lace and black dots which are very thick. The challenge being making the thin come forward and the thicker recede. To add to this challenge, the color I wanted to pull forward was black against the light warm background. Yikes! During this process I had to ask myself, why do we have to create this receding background??? The more I paint, the more I seem to find a desire to incorporate an abstract influence into my paintings or at least in my thought processes. Why can't the 'background' be just as important as the 'subject matter'? In abstract painting every part of the canvas is 'active' (if that is the right choice of words). I know we need restful spots on the canvas, that everything can't be equally important, but with representational art can our objects be so recognizable that our eyes are naturally drawn there and other areas of the painting be more than just background? Anybody??? Am I crazy today or what?

Day Four Close Up

Okay, I am a slow painter, never could be rushed to do anything. I really just love to paint, and actually just love paint. I enjoy trying to push or sculpt the paint as thick as I can while still keeping the image representational. I really almost try to will the image off the canvas, and that takes time. This subject has been a challenge because I do not use tube blacks, but prefer to mix my own. The subtlety of the sheer black has been a true test.

Day Two Block In

My block in is still very thin paint and I tend to bounce around playing with different areas. I really start having fun once thick paint gets on the painting, so I try to find an area to get that going early on.